le temps perdu

Archive/RSS

le temps perdu documenting plan b:

"This rose became a bandanna, which became a house, which became infused with all passion, which became a hideaway, which became yes I would like to have dinner, which became hands, which became lands, shores, beaches, natives on the stones, staring and wild beasts in the trees, chasing the hats of lost hunters, and all this deserves a tone.” - Kenneth Koch
via: themusedaily
image: the drifter and the gypsy
 
BLK/WHT
Oneness, Division & Hamlet
The  idea of oneness is a bit odd. In the West we have interpreted this  complexity as simplicity. Oneness does not mean no disagreements no  paradoxes no contradictions no change. Oneness is not even some mystical  state arrived at via gurus and meditation. Rather it is a way of  allowing both contemplation and action. Take Hamlet, the hopelessly  divided hero. When he can only contemplate he cannot act. When he acts  he can no longer contemplate. Hamlet’s efforts to be his own man are  undermined by the poisonous world of self-interest and intrigue that he  inherits from his dead father. He is fatally flawed because he cannot  end the family romance or remake the broken kingdom. He belongs to what  has been not to what might be. If he could accept his own contradictions  and those of everyone around him, he might gain in personal  understanding as well as political power. But he can’t. Hamlet is an  exercise in what happens when we believe that to be or not to be is the  question. Nothing is that simple. - Jeanette WintersonProject Muse
image:
wonderfulambiguity:

Ilse Bing, Three men on seine steps, Paris, 1931

 

BLK/WHT

Oneness, Division & Hamlet

The idea of oneness is a bit odd. In the West we have interpreted this complexity as simplicity. Oneness does not mean no disagreements no paradoxes no contradictions no change. Oneness is not even some mystical state arrived at via gurus and meditation. Rather it is a way of allowing both contemplation and action. Take Hamlet, the hopelessly divided hero. When he can only contemplate he cannot act. When he acts he can no longer contemplate. Hamlet’s efforts to be his own man are undermined by the poisonous world of self-interest and intrigue that he inherits from his dead father. He is fatally flawed because he cannot end the family romance or remake the broken kingdom. He belongs to what has been not to what might be. If he could accept his own contradictions and those of everyone around him, he might gain in personal understanding as well as political power. But he can’t. Hamlet is an exercise in what happens when we believe that to be or not to be is the question. Nothing is that simple. - Jeanette WintersonProject Muse

image:

wonderfulambiguity:

Ilse Bing, Three men on seine steps, Paris, 1931

  1. secretfragileskies reblogged this from wonderfulambiguity
  2. bagotnakulot reblogged this from wonderfulambiguity
  3. sideproducts reblogged this from wonderfulambiguity
  4. alightthatnevergoesout reblogged this from wonderfulambiguity
  5. flippantrejoinder reblogged this from wonderfulambiguity
  6. misterrochester reblogged this from wonderfulambiguity and added:
    This reminds me of one of Robert Doisneau’s photographs, Diagonal Steps.
  7. untitledarchive reblogged this from artandopinion
  8. like-avision-shedances reblogged this from artandopinion
  9. sacimdakimortoka reblogged this from wonderfulambiguity
  10. joreikick3rd reblogged this from wonderfulambiguity
  11. blaaaaackandblueeeee reblogged this from wonderfulambiguity
  12. 5050 reblogged this from wonderfulambiguity
  13. elsewherever reblogged this from wonderfulambiguity
  14. landbroke reblogged this from wonderfulambiguity
  15. wonderfulambiguity posted this